Ghost Stories for Christmas - The Definitive Collection (5-DVD set)

Product Information

Patience is thus required, but compensation aplenty is provided by Haynes' growing frustration at Pulteney's stubborn longevity, which is wonderfully conveyed through smart use of shot repetition and Hardy's gradual transformation from cordial politeness to eye-rolling frustration. For this humble viewer, Whistle and I'll Come to You remains a marvellously executed tale of the supernatural, a genuinely chilling ghost story that also delivers as a fascinating character study. The presumption at the time was that Phoebe was taken by travellers and Giovanni ran away, but as Stephen explores the grounds he repeatedly catches sight of a boy and a girl who may well be the ghosts of the two missing children.

Extras: Language(s): English, Hard of Hearing Subtitles: English, Interactive Menu, Scene Access, Screen ratio 1:1. The release of the first two Ghost Stories volumes is timed to mark the 150th anniversary of MR James’ birth on 1 August 1862. Miller – a producer and director of considerable standing who was a theatre and opera director of some considerable standing and was one of the original members of Beyond the Fringe – is able to really get inside Parkin's head. This release includes; WHISTLE AND I'LL COME TO YOU, both the original 1968 and the new 2010 versions, Lawrence Gordon Clark's adaptation of Charles Dickens' classic THE SIGNALMAN and many more.dual mono soundtracks, and all are for the most part clean, with dialogue always clear and music often nicely reproduced, particularly that creepy hurdy-gurdy tune in Lost Hearts. It's then that the librarian remembers a chest that was bequeathed to the Cathedral sixty years earlier. Elements that have a ring of the cinema of Mario Bava are identified, Lawrence Gordon Clark’s unsung status as a key director of British horror is championed, and they remark on the sympathy for working class characters in the series that is not in James’s original text. Leaving his ill and ageing wife in a care home, a retired astronomer revisits one of their old coastal haunts, but after discovering a ring on the beach is soon haunted himself. Certainly when they're grinning and waggling their overlong fingernails, there is a sense of children play-acting at being scary and not quite pulling it off, but when their movements fall into the rhythm of the hurdy-gurdy music in a slow dance of death, the effect is considerably more disconcerting.

These adaptations, which have a subtlety and style all of their own, have been a major influence on many contemporary British horror filmmakers and have come to be some of the most sought after British .

Not that I mind a bit, as I’m a huge fan of these BBC productions, an annual event that ran for several years and that gave rise to three of my favourite cinematic ghost stories. On the surface, there seemed to be no good reason for it beyond producing a version that was in colour, set in modern times, and whose image filled the by-then standard 16:9 frame (which it doesn't, as it happens, having a 2. This was clearly shot at the same time as the introduction, and while Campbell is more animated in his reading here, the same problems with room acoustics remain. it achieves comparably skilful effects through visual language and sound, heightening theme and supernatural mood.