For the album, Styles worked with producers Jeff Bhasker, Alex Salibian, Tyler Johnson and Kid Harpoon. Satellite” enters into conversation with Ariana Grande’s “NASA” and features a wonderful bit of text painting: Styles sings about “spinning out” while the back half of the song builds momentum and nearly careens out of control. You may print off one copy, and may download extracts, of any page(s) from our site for your personal reference and you may draw the attention of others within your organisation to material posted on our site. Fine Line was certified platinum by the British Phonographic Industry (BPI) and double platinum by the RIAA.

Carolina" did not enter the NZ Top 40 Singles Chart, but peaked at number one on the NZ Heatseeker Singles Chart.Treat People with Kindness" did not chart on the Billboard Hot 100, but peaked at number 18 on the Bubbling Under Hot 100 chart. Luottoesimerkki: 1 300 € luottorajalla ja 12 kk:n takaisinmaksuajalla kk-erä on 124,06 € ja kuluttajasuojalain mukainen todellinen vuosikorko 29,08 %. Two Ghosts" did not chart on the Billboard Hot 100, but peaked at number 18 on the Bubbling Under Hot 100 chart. When he introduced Shania Twain, who made a guest appearance during his Coachella set last month, Styles deployed familiar pop feminist logic: “This lady… told me that men are trash,” he quipped. The album opens with a soft music number, [41] "Meet Me in the Hallway", a psychedelic pop ballad performed with twanging guitars.

MusicOMH 's John Murphy commented that even though it occasionally "dips into bland pastiche", the album is a "fine solo effort", which "as the latest step in rebranding Styles for a brand new audience, it will do just fine". Pressing is good, packaging (except for the stupid paper inner sleeve) is nice and the sound quality better than expected.

Jamieson Cox of Pitchfork wrote that the record "pays fine tribute to classic rock’n’roll and shows off his exceptional voice, if not his enigmatic persona", opining that his "vocal performances are invariably the best parts of these songs" while particuraly praising the album's last track, "From the Dining Table", writing that "it’s intoxicating, and it ends Harry Styles on the most promising possible note".