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Just so it doesn't sound overly negative, I do actually quite like this album. That stretch is a letdown but it's still very nice, just not up to anywhere near the same standard as the others. When I first set this one going it was before I went out on a long walk and I remember exactly where I was when I realised that, hey, that Johnny Cash song was a cover of a Beatles song! And the original "In My Life" is much better. The folky interlude bit in the middle is beautiful, incredibly so. "I'm Looking Through You" is great fun, and Norwegian Wood is the best song on here. I was about to write that it's one of Harrison's best compositions except for the fact that he didn't write it, which does somewhat disqualify it. In my defense, sitar. Howard, Ron (director) (2016). The Beatles: Eight Days a Week – The Touring Years (documentary film). Apple Corps. Event occurs at 71:01–:58. In 2020, when asked of which Beatles albums qualified for an A-plus grade, Christgau considered Rubber Soul as a "prime candidate" among scholars of the band, but concluded that, "while I feel and understand the artistic skill and historical momentousness ... in fact I only cream for three of its songs: 'Norwegian Wood,' 'Girl,' and 'In My Life. '" [311] As a passionate vinyl collector and a dedicated fan of The Beatles, I was eagerly anticipating the re-release of "Rubber Soul" on vinyl. I'm delighted to report that this re-release lives up to the hype and is a must-have for any vinyl enthusiast.
Anthology 2 (booklet). The Beatles. London: Apple Records. 1996. p.46. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link) According to Everett, the same bouzouki-like guitar sound was used by the Hollies in their June 1966 single " Bus Stop". [163] Stanley, Bob (4 December 2015). "The Beatles' Rubber Soul is 50: and it's still ahead of its time". The Guardian. Archived from the original on 22 March 2016 . Retrieved 31 March 2016.
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Release Date - The Beatles dominated the 1960s, and their records that were printed in this decade are worth a lot because of the authenticity and connection they have to the era. Castleman, Harry; Podrazik, Walter J. (1976). All Together Now: The First Complete Beatles Discography 1961–1975. New York, NY: Ballantine Books. ISBN 0-345-25680-8. The BEATLES Catalog Remastered for 9–09–09 Release!". Music News Net. 7 April 2009. Archived from the original on 13 February 2015 . Retrieved 17 January 2014.
Erlewine, Stephen Thomas. "The Beatles The Beatles in Mono[Box Set]". AllMusic. Archived from the original on 27 June 2018 . Retrieved 26 June 2018.According to Norman, at the time, the song "slipped unchallenged into a world not yet disturbed by feminism or concerns about domestic violence". [197]
Rubber Soul marked a stark turning point for The Beatles, a time in which they rejuvenated themselves from the collective face of youthful innocence and metamorphosed into a nuanced, three-dimensional identity. Not only was the album a dramatic shift sonically from their prior output, furthermore, the band’s aesthetic also witnessed a studious facelift. The artwork of their sixth studio album made it abundantly clear that The Beatles were no longer the saintly figures of pop music, and they wanted everybody to know about their complex new image. With a legendary success like the Beatles, you're dealing with severe levels of scrutiny when it comes to slapping a price tag on any of their products. While two LPs might look exactly the same to your eye, they can have wildly different values because of a few specific characteristics: Marcus also said that it was this album focus that nullified any potential argument "that the Beatles' first four LPs, in their British configurations ( Please Please Me, With the Beatles, A Hard Day's Night and Beatles for Sale), were as good as Rubber Soul". [304]All-Time 100 Albums". Time. 2 November 2006. Archived from the original on 17 February 2012 . Retrieved 20 November 2007. RUBBER SOUL war das erste „ernstere“ Album der Beatles. Die Alben bis Help! waren mehr oder weniger Sammlungen von Single-Hits mit immer demselben Thema. RUBBER SOUL war thematisch vielfältiger als jedes davor erschienene Pop-Album. Teilweise exotische Instrumente wie die Sitar wurden erstmals eingesetzt. Die Beatles übernahmen ab hier auch sukzessive die Kontrolle über das Studio. Friedman, Jon (3 December 2015). " Rubber Soul is the Most Overrated Album of All Time". Esquire. Archived from the original on 23 March 2016 . Retrieved 31 March 2016. a b "Beatles albums finally go platinum". BBC News. 2 September 2013. Archived from the original on 10 April 2014. Retrieved 26 June 2017.
Most of the songs on Rubber Soul were composed soon after the Beatles' return to London following their August 1965 North American tour. [4] The album reflects the influence of their month in America. [5] Aside from setting a new attendance record when they played to over 55,000 at Shea Stadium on 15 August, the tour allowed the band to meet with Bob Dylan in New York and their longtime hero Elvis Presley in Los Angeles. [6] Although the Beatles had released their album Help! that same month, the requirement for a new album in time for Christmas was in keeping with the schedule established with EMI in 1963 by Brian Epstein, the group's manager, [7] and George Martin, their record producer. [8] Variation B. At some point early on in the “Rubber Soul” pressing run, a Times New Roman font typeset was added to the label printing machines. It’s with this style that we find later one-side “Loud Cut” presses (as determined by the stampers), almost all the transition presses of XEX 579-1 / XEX 580-4 or XEX 579-4 / XEX 580-1. Although not the huge stylistic leap forward that their next four albums would represent, Rubber Soul underlined that, for The Beatles, mop-toppery was now over and more serious matters lay ahead for a group who had just spent their second, successive year at the very pinnacle of world-wide success. Everett comments on the significance of the band's interest in the harmonium, sitar and fuzz bass each occurring during the same period, pointing out that the three sounds overlap in their offering a wide vibrative quality and "more richly discordant" tones. [86] Mawer, Sharon (May 2007). "Album Chart History: 1969". The Official UK Charts Company. Archived from the original on 17 December 2007 . Retrieved 23 October 2019.Fifth pressing, Remastered, Parlophone 5099963380316, released September 8, 2014. The album was reissued on 180g vinyl, prepared from the original analogue mono master tapes. Album included in “The Beatles In Mono” box. Cover is replicat from the original Garrod & Lofthouse Ltd. three-flaps sleeve. Vinyl pressed by Optimal Media GmbH, Germany. Lennon recalled that Rubber Soul was the first album over which the Beatles took control in the studio and made demands rather than accept standard recording practices. [60] According to Riley, the album reflects "a new affection for recording" over live performance. [61] Author Philip Norman similarly writes that, with the Beatles increasingly drawn towards EMI's large cache of "exotic" musical instruments, combined with their readiness to incorporate "every possible resource of the studio itself" and Martin's skills as a classical arranger, "Implicitly, from the very start, this [music] was not stuff intended to be played live on stage." [28]
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