Joined in 2023 
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Then i also installed OBS Plugin "ASIO" https://github.com/Andersama/obs-asio Then connecting the USB cable from L-8 to my Laptop. Overall handling of the device feels retro (but in a bad way). Some of the options like putting the unit into audio interface mode are not saved, so you have to put the unit into that mode every time you power it up. Zoom’s preamps are famous for a good reason: they’re transparent, powerful and ultra-reliable. The L-8 features six independent Zoom preamps, built to handle anything from a whisper to a raucous debate. Key Features I bought this to record a wide variety of voiceovers and musical instruments on battery power, but it has become my main audio interface for my Linux computer. It does everything that is advertised very well. I can record high-quality voice-overs on battery in a portable vocal booth. I can take it with me to record several instruments or mics out of a studio environment. I've bought this mixer to route my external synths into the Maschine+ which is running in standalone mode.
Zoom LiveTrak L-8 Portable 8-Channel Digital Mixer and
The solution that I’m sure most people go with and that I’m probably going to go with is not use the L-20R’s Audio Interface mode. Rather, use another audio interface in between the computer and the L-20R and just use the L-20R as a live mixer with XLR main outs: Step 6: Once created, a window will popup as "Properties for ZOOM_MASTER" -> Under "DEVICE" select your ZOOM Livetrak -> Leave "FORMAT" as Stereo -> Under "OBS Channel 1" and "OBS Channel 2" is where you will find every individual channel, including the Master L and Master R. Select from the dropdown menu, respectfully. Obviously with DAWs like Adobe Audition, you can select whatever channels you want to use. However, with OBS, we’re dealing with a 2-channel stereo input. It’s important to understand that the Mixes store only the fader settings: the Gain, Pad/Hi‑Z, Select, Channel Strip and Mute status aren’t recalled. But more settings can be stored in what Zoom call Scenes. Several settings are stored in each Scene: the fader positions (for every channel, including EFX RTN and Master); Mute status; all Channel Strip settings; the selected effect patch and parameters; and the input source selection for channels 7+8. Despite this being a digital desk (meaning no physical routing limitations in between the converters) you can’t apply EQ to the effects return or master mix; I can’t say I missed that ability but some might. Naturally, you can’t apply reverb to the main mix, since there’s only one effects engine and its signal already flows to the mix bus.Designing a mixer/interface that caters to both music and podcast types in equal measure is by no means an easy feat. Both disciplines bring with them their own unique set of conventions and production requirements and it’s hard to please everybody. Thankfully, Zoom have done a more than commendable job of integrating enough of both worlds to make the L-8 a more than capable mixer on all but the most high end of applications. Musicians will be drawn to it by its simplicity and minimal power requirements, podcasters will be impressed by its technical thoroughness and ease of use. Used as an audio interface, the L-8 can record full episodes directly to your computer and an SD card simultaneously. You can also live stream while recording.
Operation Manual - ZOOM Operation Manual - ZOOM
All rest of the functionality like ABC Mixes, effects and Audio Interface mode only work in 41kHz mode. This is a real shame considering that the Zoom L-20R is definitely an audio interface that sends the master mix. It just doesn’t happen to be over the two channels that OBS selects.I was as lost in figuring out the solution to this issue as everyone here for my ZOOM Livetrek L20 - R. This thread was a step in the right direction!
Reviewed: Zoom LiveTrak L-8 Mixer - Mixdown Magazine Reviewed: Zoom LiveTrak L-8 Mixer - Mixdown Magazine
You can use the unit as a class compliant audio interface ONLY IF you power the unit with batteries!!!Zoom L-20R] —— main XLR outs --> [2-channel Audio Interface like Zoom U24] — USB —> [Computer with OBS] The other side of the coin (and perhaps where the L-8 really reaches its stride) is as a workstation for podcast. With various nods to the world of professional broadcast peripherals/AMU’s (assignable pads, phone-in capabilities and onboard transport controls just to name a few), the LiveTrak L-8 sits firmly at the top for the heap for those looking for an all-in-one solution for podcast. So basically I’m using XLR-to-TRS audio cables from the Zoom L-20R main outs into the first two channels of another interface to do my routing.
ZOOM | ZOOM
In 96kHz, you can only use the unit as a mixer (Recording in 96kHz might work too but I don't need it) For a mixer that looks to be more geared towards the content creation crowd, the L-8 really has no business being as musical as it is. Recording with overdub is definitely is not the overdub you know from DAWs, so don't expect it to work like a guitar looper. Compatible iPads models include iPad Air, iPad Mini 2 and later, iPad Pro, and iPad 2017 running iOS 10.3.3 or newer. L-20 control app is available from Apple App Store.Just press a button to play intros, outros, jingles, ads and sound effects. With 6 easily-assignable Sound Pads, the right sound is at your fingertips. First-Time Caller, Long-Time Listener Perhaps one of the more impressive aspects of the LiveTrak L-8 (and one that definitely impressed this reviewer) is when you realise that all of the aforementioned features are powered by the USB Bus alone, something that would have previously been inconceivable a few years ago. I’m still scratching my head as to how they managed to pull this off, as the amount of processing on offer (not to mention the ability to run 6 phantom powered mics simultaneously), would normally render the need for a wall mounted power supply, completely inescapable. The fact that the L-8 manages to do all this with bus power and batteries alone is really quite a remarkable achievement and one that only adds to the units elite level of portability. The L-8 features six high performance preamps each with phantom power, a low noise floor (-121dBU EIN), and maximum input gain of +54dB. Alkaline surely lasts longer but who doesn't get bad conscience replacing alkaline batteries every 2 hours?
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