I’ve really enjoyed Horowitz’ crime capers in the past as he has played with the form: the Susan Ryeland series ( Magpie Murders and Moonflower Murders) which interpose Atticus Pund’s fiction-within-a-fiction detective story within Ryeland’s own investigations; and the Hawthorne and Horowitz Mysteries ( The Word is Murderand The Sentence is Death) where our author guest stars as himself tagging along with the erstwhile Detective Daniel Hawthorne. Let’s be honest, these are not series which are going to win literary prizes, but they are well crafted and fun who-dunnits which also offer a sneak into the literary and publishing world.

Writing is never difficult for me. James Bond is perhaps the biggest challenge to write because I’m working in the shadow of Ian Fleming and there is so much research to do to get it right and to get the correct tone of voice. I find the process of writing one of immersion and absorption.” The visiting authors - including a blind medium, a French performance poet and a celebrity chef - seem to be harbouring any number of unpleasant secrets.

For the love of letters

Except for the atrocities of World War II, there hasn’t been a murder on the Channel Island of Alderney from time immemorial. The staging of the Alderney Lit Fest brings that streak to a decided end. The literary festival is described in loving detail in the book. “I love literary festivals. They are the one thing I have missed the most during the time of COVID-19. There is something wonderful about people coming together for the love of reading and books. The Jaipur Literature Festival is one of my favourites. I was amazed that thousands of people come to this city out of love for literature and books. There is something wonderfully civilised about it. In a world where there is so much discord, concern, worry and fear, and where politics seem to be out of control, it is heartening that there are people who want to come together to talk about stories. Realising all these permutations had been done, Horowitz began to wonder what would make his series different. As his regular readers will know, however, Horowitz has none of Christie’s flaws as an author and there are no cardboard cut-out characters, wildly improbable murder methods, or cosy camouflaging of harsh realities of crime and harm here. Alderney does not have a standing police service and although officers from neighbouring Guernsey are flown in, they have little experience with violent crime themselves and it is only natural that they take advantage of Hawthorne’s extensive expertise by recruiting him as an unpaid consultant.

Alex Rider is now in its second season based on Eagle Strike adapted by Guy Burt with Otto Farrant returning to play the titular character. There is also Toby Stevens playing the chief antagonist. “I know the first season was popular in India.” Forever Bond There was no danger that the book would come out like an ego trip, says Horowitz. “At the end of the day, I’m only the narrator, not the main character. You do not learn a great deal about me in the book. The book is about Hawthorne, and me writing about Hawthorne. What it does allow me to do as a writer, is to write about the nature of a whodunit.” The most conventional of Horowitz’s mysteries to date still reads like a golden-age whodunit on steroids. Private Investigator Daniel Hawthorne and the writer Anthony Horowitz have been invited to a literary festival on the island of Alderney to talk about their new book . . .

On this occasion, the premise is that Horowitz has been invited to attend a literary fesitval on Alderney – the baby brother island to Guernsey and Jersey, measuring barely 5km long and 2.5 km wide, home to a shade over 2000 souls, according to Wikipedia.

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A Line to Kill

I couldn't see the sea from my bedroom but I could hear the waves breaking in the distance. They reminded me that I was on a tiny island. And I was trapped. ' There is a running joke about titles in the novels with Hawthorne suggesting ‘Hawthorne Investigates’, and dismissing The Word is Murder as “too poncy”. “I am trying for a literary twist to the titles. The first was The Word is Murder and the second The Sentence is Death . I have painted myself into a corner because you run out of grammatical phrases for a murder story, so perhaps it was a mistake to keep trying to make some kind of allusion to writing.”

When I recognised the Christie-style set-up, I immediately wondered if this was a step too far for Horowitz. The Susan Ryeland series is already an ingenious and compelling homage to the world’s most successful author of fiction and I wondered if A Line to Kill would blur the boundaries between the two series. It does not and each in is, in its own unique way, providing contemporary crime fiction with a much-needed revitalisation. The beginning of the novel, when Bond is captured and Mr Big’s henchman, Teehee, breaks Bond’s finger, makes me sweat when I read it. There are, however, parts of the book which I would not write myself, which we would feel uncomfortable reading.” Horowitz says he sees no need to prune out the uncomfortable bits from the legacy sequel as it is not the way he thinks.Insisting he loves all his writing, Horowitz admits a partiality for the Alex Rider books, which has helped a whole generation find literature, books and reading. The novel brings together a small cast of writers with their own secrets and histories, including a blind psychic, an unhealthy chef, a children’s author, a local war historian and a French performance poet. A somewhat eclectic mix and Horowitz places this motley crew in an isolated location which is itself riven with political tension as a plan to run an electrical power line through the island to connect France and England. The sponsor of the festival – spinthewheel.com, an online casino – is owned by Charles le Mesurier one of whose employees is one Derek Abbott, the alleged paedophile who Hawthorne allegedly threw down a flight of stairs, an action which led to his leaving the police. The series is good for 10 books, Horowitz says. “At the end of the tenth book, we find out what makes Hawthorne such a difficult and contrary human being. We find out what happened to him as a boy that changed his life.” Lesley is absolutely wonderful and Cattaneo is one of the most brilliant directors I’ve worked with.”