This review is on selected poems from two collections published in 2008: The Truro Bear and Other Adventures and Red Birds. The poems contained her thoughts on two subjects: nature (the heron, the fish, the gray fox, the meadowlark, the panther, the pond, etc.) and self (ambition and dying). It amazes me how the most ordinary things can summon up contemplation that gives us pause. Growing up in Ohio, Oliver said in one of her rare interviews that she ‘ felt those first important connections, those first experiences being made with the natural world rather than with the social world.’ Perhaps for this reason much of her poetry uses the natural world as the lens through which she peers into the human heart and mind. At 17, Oliver would befriend Norma, the sister to poet Edna St. Vincent Millay, and spend most of a decade organizing St. Vincent Millay’s papers while working for her estate. She attended Ohio State University and Vassar College without finishing a degree, but once her first collection of poetry came out her career as a poet was well under way and she would later teach while working as a poet-in residence at several colleges before finishing her career as Chair for Distinguished Teaching at Bennington College. Her collections are also highly decorated, winning the Pulitzer Prize for American Primitive as well as the National Book Award for New and Selected Poems While at the St. Vincent Millay estate she would meet Molly Malone Cook, who would become her life-long partner as well as agent until Molly passed in 2005. Molly had previously owned a bookstore where she employed a young John Waters before he became a celebrated filmmaker and the couple maintained a friendship with him for the remainder of their lives. Though my favorite anecdote is that, while working as Mary’s agent, whenever a call came in for her, Molly would just pretend to be her on the phone and eventually editors just came to accept her as the same as actually speaking to Mary. and entwine the outer world with our inner worlds, where our place among “the family of things” is ascertained only through the intersection of the physical and cerebral realms. Central to her perspective is the interconnectedness of all things, regardless of their tenuous association. The bulk

Devotions: The Selected Poems of Mary Oliver - Goodreads

I will mention them now, / I will not mention them again,” Oliver writes of her parents, after speaking in sympathetic but oblique terms about her relationship with them (70-71). The poem seems to take place at the time of Oliver’s burying her parents, and as she says in this poem, they do not appear in her work in any of the later poems which are collected earlier in the book. This poem proves to be a turning point, however, and the poems that follow it, from earlier in Oliver’s career, reveal more personal details about her life. Reading a couple of Oliver’s poems each morning is like having a devotion, a communion of sorts with the beauty that resides in the goodness around us. This review will be built up bit by bit at the breakfast table.Featured, too, in Red Birds (2008) are Oliver’s thoughts about mortality, this life, amassing things, and chasing our ambitions. The following poems are the ones that stood out for me. It has been a month since I last read from this devotional of poems. It is good to hear Mary Oliver’s voice again. It is always refreshing to see the world through her eyes. Though her lexis and subjects are deceptively simple, her ideas and overwhelming message are incredibly complex. Such morsels of wisdom may only emerge via scathing self-reflection, A timely reminder that we can opt to be softer and kinder when our natural bent is to be just the reverse.

Devotions: The Selected Poems of Mary Oliver - Google Play

The following version of this book was used to create the guide: Oliver, Mary. Devotions. Penguin Books, 2017. White Owl Flies Into and Out of the Field* is too long & too unified to present here, but know that it makes death a beautiful thing. Not to be chosen, no, but not to fear either. From A Thousand Mornings (2012) is a meditative ensemble of ten poems whose dominant subject is water, be it the sea or the River Ganges. Other poems contain Oliver’s reflections on the approach of winter and her own Life Story against the infinite cycle in nature’s diurnal ebb and flow. Though easily her best known quote is ‘ Tell me, what is it you plan to do / with your one wild and precious life?’ which makes for perfect closing lines to The Summer Day. While often quoted without the full poem used as an inspirational message, what I love best about this line is that—in context—Oliver has already answered what she would do and that is to walk in the woods. Actually, it is such an amazing poem here is the whole thing: words bestow a brave dogma of openness with the universe, the perils of existence, and the undefinable devotions shared between one another:

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It has been six months since I last read Mary Oliver’s poems. This past week as the weight of work bore down on me, I sought refuge in her verse, and read a couple each evening. Devotions is a master collection of Mary Oliver’s poetry, collecting bits and pieces from other collections of her work over the course of her career, spanning from 1963 to 2015. This collection brought to mind the very little Wendell Berry and Marilynne Robinson I’ve read in her reverence for nature. This reverence of the natural world is what bound all of these poems into a more cohesive unit. There is a lovely poem titled To Begin With, The Sweet Grass, in which she considered the ’the witchery of living' and bid us to treasure life, to give both ourselves and others a chance, to evolve and be more than ourselves.